How We Listen to Music
In the story "How We Listen," by Aaron Copeland, both a subjective attitude and an objective attitude occur in each separate plane that is being described. The subjective attitude is where everything is taking place in the listeners mind, where as they are unaffected by the world around them. The music becomes essential to them. The objective attitude is where the listener has something to do with the material object as distinguished from the mental picture. They are uninfluenced by emotion or personal prejudice. Many people listen to music on what Copeland describes as the "sensuous plane." That is, to take in the music you are listening to without judging it in anyway. You hear this music without even recognizing that it exists. There is an objective attitude being displayed here, because the listener is uninfluenced by the personal feeling or prejudice that they hold. They merely listen to the music to escape
The objective attitude here is that the listener in this case is not feeling as much a mental concept as it is toward materialism. The listener is more in tune with the music, being able to distinguish the feeling it causes them. The expressive feeling is the feeling you get from what is happening around you. You are moved to feel a certain type of emotion, whether it is happiness or sadness, or excitement or grief. Most listeners, when listening to music, do not realize that all three categories are being listened to at the same time. " No music, according to Copeland, has a meaning that is possible to describe or explain; yet, every piece of music means something, whether it is the listener or the composer. The subjective attitude in the sensuous plane is where the listeners are pertaining to the nature of the music itself. This helps the listeners to experience different types of mood within themselves, while listening to the music. The musical plane is simply where the listener is aware of what the artist is implying. The listener may feel a meaning behind what they hear but not be able to come up with words to express it. The second plane in which Copeland describes is called the "expressive plane. They will distinguish the harmony and tone, as Copeland explains. The musical plane is simply the note. It becomes personal, existing in their mind the true meaning of what they are listening to, yet they are unable to state it. the problems or negative feelings that they hold inside their mind.
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