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Four Views on Women in Greek Tragedy

In the characters of Clytemnestra, Jocasta, Antigone

>and Medea, the ancient Greek playwrights Aeschylus,

>Sophocles, and Euripides offer four distinctly different

>views of the roles which women played in Greek society.

>While women definitely played a role which was subservient

>to the one played by men, it is obvious from these

>characters that women were seen by the ancient Greeks as

>capable of being strong, intelligent, resourceful, loyal,

>and heroic. These characters also show the modern reader

>that women represented something powerful to this society

>which was to be feared and, hopefully, kept under control.

> Clytemnestra and Medea personify all of the negative

>qualities attributed to women by the ancient Greeks.

>Medea, despite her despicable crime, is actually presented

>in a more favorable light then Clytemnestra; however, both

>women are presented as victims of their pride which seems

>to be the worst sin as far as the Greeks were concerned.

> Jocasta and Antigone represent the positive virtues

>of loyalty and devotion to the gods. Jocasta is the weaker

>of the two, and, frankly, Antigone is almost too good to

>be true in her example of heroic virtue and devotion to

. . .

When she realizes the

>truth of her relationship to Oedipus, she asks him to

>abandon his search for his parents and his true identity.

> This is the same Jason who captured the Golden Fleece

>in another famous Greek myth.

> This speech is what truly confirms on Antigone a

>heroic stature because she makes it clear that she loves

>life and releasing it as a young woman who hasnít had a

>chance to marry and know love is extremely painful for

>her.

>Medea

> On the surface, Clytemnestra and Medea have a great

>deal in common as they are both women who have

>contemplated the murder of their husbands due to betray;

>however, of the two, Medea is the more sympathetic in that

>Medea is truly crushed by the loss of Jason. She is a famous

>sorcerous and possesses magical powers which can kill at a

>distance.

>Antigone

> In the character of Antigone, Sophocles demonstrates

>that women are just as capable of heroic action as are

>men. Greek audiences have seen Antigone in

>previous plays being a help and guide to her father. The goddess

>Artemis had left the fleet organized by Agamemnon without

>wind, stranded, and unable to proceed against Troy unless

>Agamemnonís daughter Iphigenia was sacrificed to her.

> Clytemnestra triumphs at the end of this play,

>although Aeschylus hints at her eventual justified fate. Her speeches with the

>chorus show her to be educated and articulate.

> Jocasta seems very undeserving of her faith as she is

>portrayed as a good wife and mother. There seems to me to be an

>implied warning here that women should be treated with

>respect.

> In Clytemnestra, Aeschylus created a character who is

>an opponent worthy of Agamemnon.

Approximate Word count = 1263
Approximate Pages = 5 (250 words per page double spaced)

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