Citizen Kane
Citizen Kane was directed and produced by Orson Welles. Influenced by Howard Hughes and William Randolph Hearst, Welles created the character Charles Foster Kane. This was a black and white film made in 1941 about a boy who inherited a millionaire's fortune and dedicated all his time and money into make a newspaper, The New York Inquirer, which grew rapid popularity among the public. Throughout the film we see that the paper consumes all of Kane's energy and the struggle that he and his wife encounter because of it. Following Kane's death The shot that I found was the my favorite was the scene where they went back and forth from Kane to his wife at the dinner table progressively getting older and the topic of conversation was growing more and more anger. I liked this shot because it showed that through time the couple grew more distant from each other. The way that Welles shoots this scene is very dramatic and very sharp and tight from cut to cut. I also noticed that the couple is always growing farther and farther apart to the ends of the tab
A scene is a collaboration of shots to convey one message to the viewer. Citizen Kane was a very well written and produced film. The dramatic use of sound that I thought was most interesting was the scene in which the newspaper headlines were being shown and going from one paper stand to the next. The music which was played was a very up beat almost speedy music. It works in the favor of demonstrating the way his life was lived and the way his business was run. In many ways the elliptical structure of Citizen Kane works very well in the film to show the confusing and chaos in Kane's life at the time. The public's curiosity and morning of the death of Kane himself was proof that the paper he had created was a complete success. le which again symbolizes the distance in the relationship. A lot of shadows are used and obscure lighting techniques were used which I found very fascinating and visually pleasing, to see the change in style. I enjoyed this film because it focuses a lot on the blacks in the black and white instead of making a happy go lucky black and white film, which I feel would ruin the point Welles was trying to make. This is a great example and distinct circumstance where you can tell the beginning of one scene and the end of the other. The lighting that I found most dramatic was in one of the opening scenes where Welles used the lighting produced in the projection room for the scene where Kane and an editor have a business talk. However, I be this is what Welles had intended. For instance after the newspaper headlines being cut in and out of in the scene after Kane's death, there was a cut to a business conference of what to do with the paper.
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