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Homeplace: A Site of Resistance

The artist that I chose to spotlight along with the theme in class, "Home place: A Site of Resistance", was female German-Jewish painter, Charlotte Salomon. Charlotte Salomon was a young woman who lived in Germany during the Holocaust, and was under the reign of Adolph Hitler. Young Salomon lived in exile in France During World War II, where she created the play, Life? Or Theatre?, A Play with Music, and painted many expressive oil paintings, depicting events of the era. The particular painting that I chose to relate to our class was, "The Day for Freedom and Bread", in which Charlotte depicts the day that Hitler became chancellor of the nation. There is a backwards swastika in the middle of the painting, depicting how wrong the entire reign of Hitler was to mankind, and also a number in the middle, which scholars say was probably Charlotte's identification number, or her mother's whom she was very close to during these trying times. Charlotte's work is very real and almost painful when you leaf through some of her collections. Her paintings were done with s


. Her own home had become a place of resistance, where she could barely be the Charlotte Salomon that she knew. This poem describes Yamada's life in a Japanese-American concentration camp also during World War II. America was Hooks' home too, yet she felt as if she didn't have a home, just like Charlotte Salomon in overtaken Germany. The description that she writes about can be very similar in some ways to that of Charlotte's artwork, especially in the first line, "the barbed fence protected us. It is amazing that she even got the opportunity to secretly paint her emotions on a canvas, but we can learn much from studying her motivations behind her artworks. Her real life was resisted while being in her very own home. It is almost as if she knew that someday people would turn to such artworks to better understand the life of a Jewish man or woman in a concentration camp. Charlotte even died later in Auschwitz, the concentration cam where she resided most of her life (72). Bell Hooks was speaking of the white men and women that oppressed her family into slavery, and its ironic that people who lived in our country went through this type of oppression.

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