A Critical Analysis of
Ruarhy Outlaw's short story "Death by Spanish Name" uses what Ernest Hemingway calls "direct and honest prose about human beings." Outlaw also uses what Hemingway calls "every sensory detail" in telling this story. The story is told in first person, and the setting appeals to the reader's sense of sight, smell, and touch. It takes place in a hospital that is not air conditioned, and the reader is aware of the terrible heat that the narrator and the other characters are enduring. As Jorge Carillo lies dead, only the narrator is aware of it because Jorge's respirator contiunes to operate even though Jorge has die
Like Hemmingway says, Outlaw uses sensory details to tell this story. But then the narrator decides that no one should tell Marlene that her husband is dead. " If he can tell the nurses in Jorge's hot, smelly ward, then Ru, the narrator, will not have to tell Marlene himself that Jorge is dead. None of the staff at the hospital notices that Jorge has past away. The writer uses the heat in the hospital to utlize the sense of touch. I will think about "Death by Spanish Name" for a long time. Ernest Hemmingway says that sensory details help tell "direct honest prose about human beings. He describes the ugly walls and the dirty floor to use visuals to tell the story. " Ruarhy Outlaw does a great job using sensory details in "Death by Spanish Name. "If I thought they'd let my husband rot like that poor old man I don't know what I'd do. The reader feels their own body sweating with the heat. " At this point the narrator knows that its best for Marlene to think Jorge is still alive.
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