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real estate jobs and seats on the neighborhood association board are common. And they're married to men in golf shirts who drive silver sedans to one of the seven grocery stores in a four-block radius to pick up capers to throw in the pasta. These are the people who stand in their impeccable yards and grin impeccable, impenetrable grins at the world as if nothing — nothing — could possibly be wrong. Robert DeNiro is one of those golf shirt guys in "Meet the Parents," director Jay Roach. DeNiro's Jack Byrnes is the patriarch of a classic colonial house in upstate New York, and everything from his turtleneck sweaters to his perky blonde daughters reflect his perfect attainment of the suburban dream.
Of course, benevolence is nice, but this is a comedy. And in
. . .
As Focker, Stiller has perfected that "grown-to- be-handsome, yet insecure" quality that gets audiences laughing at a man's major mishaps, even while grimacing at the horror of it all. DeNiro, who seems to be ditching the 'weighty-only' character clause with "Meet the Parents", merely has to raise an eyebrow to elicit laughter. Besides, no one is good enough for Jack's Pam, and the more desperate Greg becomes to prove otherwise, the more his misfortunes pile. Blythe Danner's motherly portrayal nicely peppers her suburban couture, while Polo's Pam is overly charming and somewhat void of personality. Played by a perfectly askance "do- I-have- something-in-my- teeth" Ben Stiller, Focker hopes to make Byrnes' eldest
daughter, Pam (Teri Polo) his wife. As a male nurse and a city boy, though, Focker already has strikes against him before his poor mouth even opens. But that's ok — she's merely a vehicle to move the story along, which ends with lies being dispelled, truths being told, and suburbia opening its elite circle to include a nice-fitting male nurse. And that's crucial in this film, because the horror and the humor are one and the same.
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