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Crayonne au Theatre (1886) in Coyle 1992,page 21)
Shakespeare, with his character of Hamlet has provided one of the most complex, though intriguing characters in the history of literature. The most striking aspect of his character is the question of whether he was really mad or just acting to his advantage, and the dilemma he faces. This dilemma is the heart and soul of the play, to choose between avenging the death of his father or to think about the consequences on the ones he so dearly loves if he follows through. This has been subject to analysis from the day many different people of different attitudes and from different times first performed it. Elizabethans would see any result of Hamlet’s actions as a moral lesson whilst a modern person would see it a violent play but also as Shakespeare’s most philosophical work.
In the 17th Century when the play was first performed, it was popular for the reason that belonged to the category, or genre of
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While the Elizabethans would give credit to the fact that Hamlet’s behaviour towards Ophelia is because of his madness, modern literature has come up with many other reasons for his treatment. This originated in the first century, from the works of the Roman playwright, Seneca and then reborn in the works of Thomas Kyd in the 16th Century. Francis Bacon said that despite “the revenge of the wrong putteth the law out of office. When the ghost of Hamlet’s father appears, it urges Hamlet to avenge his death because he was killed before confessing and because of this his soul is “confined to fast in fires” (I. The way he reflects on himself is a definite indication of an intelligent, highly philosophical person.
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