E.E. cummings
E. E. Cummings, who was born in 1894 and died in 1962, wrote many poems with unconventional punctuation and capitalization, and unusual line, word, and even letter placements - namely, ideograms. Cummings' most difficult form of prose is probably the ideogram; it is extremely terse and it combines both visual and auditory elements. There may be sounds or characters on the page that cannot be verbalized or cannot convey the same message if pronounced and not read. Four of Cummings' poems - l(a, mortals), !blac, and swi( - illustrate the ideogram form quite well. Cummings utilizes unique syntax in these poems in order to convey messages visually as well as verbally. Although one may think of l(a as a poem of sadness and loneliness, Cummings probably did not intend that. This poem is about individuality - oneness (Kid 200-1). The theme of oneness can be derived from the numerous inezces and forms of the number '1' throughout the poem. First, 'l(a' contains both the number 1 and the singular indefinite article, 'a'; the second line contains the French singular definite article, 'le'; 'll' on the fifth line represents two ones; 'one' on the 7th line spells the . . .
In mortals), Cummings vitalizes a trapeze act on paper. New York: Harcourt, Brace & World, Inc. This poem is an amusing one, as it shows the effects of a trapeze act within the arrangement of the words. Cummings had written a letter concerning !blac to Robert Wenger, author of The Poetry and Prose of E. In doing this, he feels contentment, and thus retains the poem's idea for a more extended period of time. Reading this poem, one may realize the lone comma on line 12. 'll' indicates a quick drop of the leaf, which has slowed by a longer line, 'one'. swi( contains less symbolism than the other poems being analyzed, but it is similar in that the syntax adds greatly to the poem. This is a sign that Cummings is trying to emphasize the concept of self-importance (Tri 36). On line 10, the space in the word 'open ing' indicates the act beginning, and the empty, static moment before it has fully begun. Lines 2 and 4, 'climbi' and 'begi', both end leaving the letter 'i' exposed.
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