During the 1920's, film making was a domain of curious discovery and unlimited
             potential. Directors and actors were constantly producing new stories and ideas to
             entertain their audiences to make lasting impressions. Two important figures in this era
             were Buster Keaton, master of physical comedy, and Charlie Chaplin, one of the most
             dedicated directors who ever graced the silver screen. Keaton's comedy "Steamboat Bill,
             Jr." and Chaplin's "The Kid" are perfect examples to highlight these performers'
             In Keaton's "Steamboat Bill, Jr." (1928), directed by himself and Charles Reisner,
             there are a variety of cartoon-style gags and outrageous stunts set amongst a background
             of an interesting plot. Keaton uses the 'fish out of water' scenario and creates a contrast
             between Bill, Jr., and his father. The relationship between father and son is a great way to
             express character development. The whole cast is full of memorable characters as well,
             such as the antagonist of the picture the captain of the opposing steamboat. Overall,
             "Steamboat Bill, Jr." is a light-hearted comedy that combines slapstick humor, a little
             romance, memorable characters, and elaborate and sometimes dangerous stunts to reflect
             Opposite from Keaton, Chaplin took the more sentimental route with his film
             "The Kid." Like most of his movies, the directing and writing were done by Chaplin
             himself. There are still gags and humor, but they are more though out and are more of a
             means to move the story along. For example, Chaplin's character, the Tramp, and the kid
             work together by the kid breaking windows and the Tramp offering to fix them. This gag
             is an important part of the plot and is also an opportunity to portray their relationship. The
             theme of father and son is prominent in
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