An Overview of the PerformaMembers of the Brass Family
1. A Brief History of the Brass Family pg. 2-72. The Harmonic Series, Ranges, and Intonation pg. 7-12 3. The Breathing Process pg. 13-14 8. Transpositions and Clefs pg. 23-24 10. Mutes & Extended Techniques pg. 25-27 Brass instruments have been in use for over three thousand years, however the greatest achievements in design have occurred in the past three hundred years (Colwell and Goolsby 347). Originally, brasses were of varied shape and composition (bone, assorted metals, wood, etc.), and sounded only the natural harmonics of the tube (375). Chromatic notes were only available in the extreme upper harmonics of the instrument (Yates, “History”). This type of instrument is seen in the military bugle, a single tube-shaped trumpet with no valves or keys (Villanueva 1). As the complexity of music increased through the Medieval and Renaissance periods of music, composers and performers began to look for ways t . . .
It is important to note that the seventh, eleventh, thirteenth, and fourteenth partials (shown in the figure with black note heads) are too out of tune to be used in the system of equal tempered tuning that is the basis of western music (Herbert 21). Correct posture is the relaxed, natural, and efficient use of your body’s skeletal structure (Ibid. The horn traditionally came in a variety of sizes, but the F length with a Bb double horn has become the standard (Adler 286). They can also have an additional fourth valve that acts like the F attachment found on symphonic tenor trombones (55). Physiologically, the exhalation process is the same as inhalation but in reverse. The literature most often played on rotary trumpet is the music of Germanic composers of the Romantic era (Beethoven, Strauss, Bruckner, etc. Cup Diameter Denis Wick Bach Schilke Jet Tone Giardinelle Warburton Marcinkiewicz Purvianc MM / In. The tubing, which drops the fundamental of the trombone down to an F or E, is operated by a thumb trigger (48). The notation for this effect is “ . The full range of colors and techniques available to the brasses is not yet known, but as long as there are creative brass musicians, there will be new, pioneering techniques (Cope 136-142).
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