Comparing Jackson Pollock to Mark Rothko
The end of WW2, the explosion of the atomic bomb, and the realization that mankind had developed the ability to destroy itself were all factors in creating a mood of introspection and reflection. Although most abstract expressionists were trained in traditional forms of art making, they saw representational art as incapable of expressing emotion. Mark Rothko and Jackson Pollock both developed their painting styles in New York during the 1940s and 1950s. They were a part of the group of artists known as the abstract expressionists. Although each of the artists associated with this movement worked in a very individual style, they were linked by the desire to find a new means of artistic expression. Rather than including recognizable objects in their work, they used the elements of painting such as color, line, shape, brushstrokes, texture, and light, to express emotions. Their influences included Native American, pre-Columbian, Mexican, and African art, along with the modern European movement and surrealism, which looked to dreams and the unconscious for subject matter. The paintings are completely abstract, with no recognizable objects from the real world, or non objective, and the purpose of their art is to create e
Abstract expressionism can be roughly divided into two general types. Jackson Pollock and Mark Rothkos' art in the mid 1900s started a new string of abstract and modern art. This may be because he was placing emphasis on the fact that even rectangles can be painted in an abstract way and portraying an exact likeness isn't always wanted Despite the similarities that Pollock and Rothko's abstract paintings show, the techniques differ greatly. We have seen how Rothko and Pollock, like so many Modernist painters before them, tried to explore painting and concentrate on what is particular to that medium: paint, surface, and canvas. It wasn't a common idea to simply display color for the audience to appreciate. Color, for which Rothko's work is most known, is his most formal art element is ironically the same element that sets him apart from many other artists of his time. By turning to new forms of expression, Pollock, Rothko, and their colleagues brought American painting to international prominence and for the first time, an American city, New York, replaced Paris and other European cities, as the leader of the art world. In gesture art, line and mark making are important elements to create movement. In The National Museum of Art, Lavender Mist is displayed on a wall by itself. The creation of their art work was approached by the two in different ways and Pollock gained more success from his brilliant methods and his thought processes for making art. He said that it was essential to "walk around it, work from all four sides, and be in the painting. Pollock created many "drip" paintings, That included black and white along with color, and most of Rothko's images consisted of three floating rectangles in various color combinations. When admiring the painting, one becomes engulfed in it's ability to capture the viewers and like much Pollock himself, Lavender Mist was an unusual and exciting modern painting. Rothko's methods and techniques of painting are much more traditional than Pollock's.
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