A Deeper Darkness - Edgar Allen Poe
Edgar Allan Poe is considered to be one of the most influential short story authors of mystery, suspense, and the supernatural. His usage of literary techniques compels his reader to finish his tales at one sitting. It is believed that Poe’s usage of first-person narrative in his short stories enhances an underlying emphasis on the mysteries of the self, of others, of nature, ad of the universe through the narrator’s observations. Much of Poe’s works were used to undercut the easy optimism and certainty characteristic popular to his time because of his usage of the darker aspect of life and living. His works carry within them multiple senses of depths. Not merely representing the physical, his tales also have metaphorical depths of mystery, of uncertainty, of the Unknown. In most of Poe’s writings his sense of style and influential views are present through the uniqueness of his works. Regarded as the architect of the modern horror tales, Poe was also the principle forerunner of the “art for art’s sake” movement in nineteenth-century European literature (“Poe Intro.”, 2749). He is also credited with parenting two other popular genres: science fiction and the detective story (Keller, 1898). He demonstrates a b . . .
” The narrator of this tale is a murderer who loves his victims much like the killer in The Tall-Tale Heart does (Graham, 2760). ” Telling the story through the first-person point-of-view, intensifies the effect of moral shock and horror. Although one is not sorry to have read these tales; one has no desire to read them twice. rilliant command of language and technique as well as an inspired and original imagination (“Poe Intro. Poe’s stories intertwine the morbid visions of his reality with his personal experiences of his traumas; thus, giving an alluded mystery to the reader. ” And yet, part of his creating imagination always clings to the solid and the rationale—a continual tension with part that envisions annihilation of the external world and the final loss of self. Also, they are Poe even through their strong aspirations, through their knowledge, and through their incorrigibly melancholy (Baudelaire, 407). How and why this ‘dark side’ emerges differs from person to person (Internet-2). The desire of his narrators for destruction of man’s mind, which, in its search for artistic symmetry that is identical with Consistency, or Truth, yearns, “to know and to be one with God who waits in the center of the final vortex. In the short, horror story The Black Cat Poe writes in the perspective of the narrator, a man whose “…temperament and character [are transformed] through the instrumentality of the Fiend Intemperance [alcohol]. And yet the logic of this tale is somewhat unbelievable due to the only source, the alcoholic narrator and his altered state of mind. Poe is an author who is at times strong-headed, but which epithet by no means excludes the possibility of being wrong-headed at times too. In other words man must be stripped even of himself ,and it is a painful, almost ghastly process to experience.
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