Rent
Ah, the daunting task of analyzing Rent in 525,600 words or less, and to simplify any aspect would be an embellished understatement. So to preserve the memory on the hard drive of this computer, one is forced to focus on merely one aspect of this outstanding musical. The first problem occurs when trying to describe the play in terms worthy of its praise. Neither my limited vocabulary nor the synonym button on the tool bar of the computer seems to serve as an accurate description of the play. One is forced to challenge the readers understanding of his surroundings to relate the plays standing. In this situation, one must understand that an outstanding liberal play came to challenge the delicate balance of our tiny conservative world known as College Station. To understand the validity of a play about AIDS and homosexuality selling out four shows in the most conservative town on America (where the only events to sell out are drinking parties and football games), is to merely touch on the importance and greatness of the play. I howe
Through the hard work of directors and dedicated musicians, the fairly inexperienced new actors and musicians sell the songs through exquisite musicality each and every show. " Just think about which song is stuck in your head right now. I am sure that the memories of all of its viewers are triggered with the mention of the word "rent. In conclusion, whether intentional or not, Jonathan Larson was able to leave his mark and prove his point to the vast multitude of audiences simply through his music. ver was one of the unlucky few that was unable to view the College Station performances, but I was able to capture a ticket to a San Francisco showing during my Thanksgiving break. The music is simply one noteworthy aspect of this play, but I feel it is vastly important in understanding the impact of the play on our minds and hearts. Larson's dream of giving new talented young actors a first chance on there feet is manifested with great precision and accuracy through the production of the musical. The importance and quality of the songs are not the only noteworthy aspects of the music. I was very fortunate to see Billy Aronson's Rent, at the Orpheum Theater on November 27th, and the one aspect of the play that impressed me the most was the outstanding music. "Light My Candle," "Living in America," or "Seasons of Love?" Memorable, toe-tapping songs is without a doubt, exactly what Jonathan Larson had in mind when he wrote the score of the musical. Why I am still tapping my toes and singing its many memorable melodies while I am writing this review of the play. To leave a production of the play without having at least one of the musicals many outstanding songs lodged into your memory and stuck on your tong is almost a crime. Coming form a musical background, and being relatively unable to listen to music without critiquing it, I was greatly pleased with the quality and musicianship of all the performers on stage. With the rare exception of names like Joey Fontane, the faces one stage are, to the majority of viewers, brand new.
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