Fallen Hero
Traditional American feature films share the common characteristics of classical Hollywood cinema. In fictional films the main character is often portrayed as the hero that saves the day. However, the movie, Fallen contradicts this conventional way of cinema. The main character is a black detective that does not accomplish his goals in the end, and in turn receives no closure. Through examples of Mise en Scene, point-of-view shots, cinematography, lighting, editing, sound, narrative structure, motifs, and flashbacks one can argue how the role of the customary hero is challenged in Fallen. The character John Hobbes is shown as an everyday family man with a protagonist view of life. His character is often seen in a white t-shirt wearing a cross necklace; two common ideals of an American hero. His point-of-view is clear showing true colors when viewing the rest of the world. This is opposite of the fuzzy, yellowish-green, often bird's eye view that Azazel has. The conflicting point-of-views label the characters as good and evi
In the movie Fallen, John Hobbes is described as the typical heroic figure throughout the narrative. Therefore, shadows are cast by and on the characters involved in these scenes. This not so traditional American feature film proves this idea wrong in the end. Through the use of internal diegetic sound the voice of Azazel narrates the whole movie, but the viewer does not find this out until the end when evil lives on. The symbolism of the cats shows the flaw that Azazel could move to non-human hosts. The fade in/fade out transition of the second dead body in the bathtub shows the dramatic rage Azazel posses for human beings. This example shows ordinary heroic characteristics, however the opening scene foreshadows the fate of the hero without the audience knowing. Azazel), then when Azazel kills by moving between hosts he makes it people vs. The director, Gregory Hoblit, does a pretty good job of making the movie suspenseful without using extreme violence or gruesome beasts. Azazel uses this song as a symbol to imply that time is his companion. The use of fast cutting when Azazel is chasing Greta makes him look even more powerful and determined. Instead he uses motifs to present an eerie atmosphere when evil is around.
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