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Living in the barrio of El Mangle, according to Negi, was an awful place to live. She seemed to develop her opinion the moment she was greeted by the horrible stench in the air. Her experiences with the school in El Mangle, I thought, in some ways became valuable tools she’d eventually use in crisis situations. One experience Negi describes during an embarrassing moment showed that there was probably an even earlier interest in performing arts than Negi had originally anticipated. As Negi attempted to solve the math problem center stage, with a bloodthirsty audience looking on, her performing skills had already began to develop. She had no idea that she would be asked to replay a similar role in the future.
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Negi made it very clear how much she disliked her teacher in El Mangle “I couldn’t stand Sra. There’s not doubt that Negi’s mother did know she possessed a dramatic side to her. I believe that her stay in Sabana Grande was preparation for her life and career in the United States. This is possibly where Negi learned to pantomime, unknowingly. Negi could have genuinely felt some unhappiness. Negi’s mother could have also seen her daughter as a well acclaimed actress, but was reluctant to acknowledge it. “For me, the person I was becoming when we left was erased, and another one was created” (209). Often time writers will have a particular scene written in their movies where they use a similar process. The incident where her teacher embarrassed her and termed her as an “ignorant jibara” seemed to hit a very sensitive spot with Negi (139). Little does she know, but this art of removing the soul from her body, which Negi does, allows her to amaze a panel of judges at her audition to the Performing Arts high school.
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