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Postmodernism: Pop or Genre

Defining Postmodernism through Heart of Darkness

What is Postmodernism? Andy Crouch from Christianity Today describes Postmodernism as anything, everything, and nothing, an academic Rorschach blot on which nervous modernists and others project all their fantasies, both benign and terrifying. Crouch goes on to explain how Postmodernism entails what an author is most afraid of while on the other hand promises that which they most secretly desire. This definition, in its twirling contradiction, actually doesn’t define anything, all it does lead to a more confusing understanding of what Postmodernism actually is. Searching for a concrete definition of Postmodernism proved to be a near impossible task, the explanation that accurately fits the definition to me is one provided by Rainer Friedrich. Friedrich’s definition implies that Postmodernism is undefinable, and today is applied to anything a Modern reader happens to like. This definition shows how Postmodernism is impossible to explain without Modernism. I believe the relationship between these two movements are so similar that Postmodernism is merely an extension of Modernism within a different time, with different values, and essentiall

. . .
They both wrote for society, they both challenged society. Instead of using the common quest or hero motif, he spreads his meaning over several themes. Imagine a time when racism was accepted. Bodek says “Images intertwining black and white--Africa and Europe--almost always indicating devastation, permeate the text. The 20th century was an explosion of literary genius, and hopefully, they will all be remembered together. This piece is looked at as one of the first novels defining the Modern movement, but what exactly makes it Modern? Sarah Cole describes Heart of Darkness as modern due to the thematic style, the ambiguity, the linguistic indeterminacy, and fragmention. ” Bodek explains how the theme of Europe against Africa and black versus white are throughout the entire text, but how the relation between the nation and its preverbeal color constantly change through the story.

Firchow closely resembles the emphasis I am trying to make about this novel and it’s Modernity. Conrad was truly one of a kind, as was his work, his consciousness flowed into the story and we received all of it in exactly the same way he did. It is clearly evident that Eliot was very well educated in the writing of the past, while Conrad was not, but they both questioned society. Conrad created stories that were told in ways that had never been told before, contradicting literary styles that he probably never even knew existed. Writers, architects, and artist were reforming their ways to break off from the norm of the Victorian era. Look at the difference in the moral values between you and your grandmother, it’s a world of difference. Modernism is a way of writing more so than a style of writing.

The early 20th century was a completely different time than today.

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