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Alfred Hitchcocks

Perhaps one of the most intellectually intriguing work of cinema that I have viewed in my life, Alfred Hitchcock's "Rope" always managed to strike a certain chord within me. Combining an intricate philosophical question with excellent direction and a flawless storyline, Hitchcock managed to make me, as a viewer, question my own beliefs in relation to the moral question posed to the characters in this theatrically presented work of cinema. Based on the scopes murder trial of Babe Leopold and Dickie Loeb, "Rope" addresses the teachings of Nietzschian principles and the philosophy of a societal superman. These messages are conveyed in such a way that the viewer cannot help but ponder the subject himself. The philosophical subject of justified murder and a social hierarchy, ha


Alfred Hitchcock, creator of remarkable movies such as "Psycho" and "The Birds," attempted to create this movie to look like a theatrical performance. The heart of this movie, being the philosophies of Fredrick Nietzsche, not only made me question my own beliefs of morals and values, rather, went to comment on society as a whole. The direction of this piece was very significant to forming my reaction, for it was an interesting, and unique approach, used by a master of his time. The cuts were done by zooming into a stationary object, changing the reel, and then continuing from the same shot, so that the viewer would not be interrupted by the transition. This technique was a very important element of the movie to me, for it seemed rather cunning of the director to convey such a heavy plot in one single setting accompanied by real time occurrences of the events. Later on in the story, the professor that taught these two students of the Nietzschian philosophies solved the mystery of the missing guest of the party, and went on to realize that his beliefs were impractical and not ready to be accepted by society. Alfred Hitchcock's classic film "Rope," utilized an intense philosophical plot line and incredible and unique direction to further intensify my reaction to this distinctive work of cinema and theater. Hitchcock managed to say to me, that society was not ready to evolve, and people in general, have a tendency to mold their beliefs for their own benefit. Hitchcock looked at this belief of society evolving towards a superman, too intelligent and superior to follow societies moral guideline, by basing his movie/play on the trial of Leopold and Loeb, two Chicago teenagers in the 1930's, who murdered a small boy without any moral apprehension. This time related aspect of the movie was an integral part, for it added to the feel of a play, as events occurred right after one another, and any extraneous material, often a part of movies, was left out. The movie followed two young roommates who murder a peer with the belief that he was inferior to them, and then followed to host a lunch for his family on top of his makeshift casket. The movie had eight camera cuts in total, due only to the fact that the equipment used at the time was able to hold film reels of ten only minutes at a time. ve been addressed by many since the founding of the Superman theory by Fredrick Nietzsche in the 1800's.

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