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God father

Managing any organization is a complex issue. That complexity increases when this organization is involved in illegal activities. Vito and Michael Corleone were leaders of their organization in two distinct times, environments and culture. Analysis of their methods of planning, organizing, leading and controlling increases the understanding of how these two men led their organization with distinct managing styles as depicted in the motion picture The Godfather Part II. Planning is the management function concerned with defining goals for future organizational performance. Once these goals and objectives are determined, management can decide which tasks and resources will be needed to attain them. Vito Corleone started his organization from scratch. In doing so, his planning style was very centralized and in many ways, very traditional. He, along with his closest associates, such as his “consiglieri”, made all the planning for the organization. Although Michael started using the same method of planning, further into his tenure as the leader, he slowly changed the paradigm of planning for his organization. As an illustration of this, let us examine his venture in the gaming business. First, he started with a strong mission.

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And he would let nothing stand in the way to a solution of that man's woe. Don Vito Corleone, also known as the Godfather, who heads one of New York's leading crime families, offering favors to those who ask with respect in return for a favor somewhere down the road. The film is enhanced with terrific performances by James Caan as Sonny, Brando as Vito, the famous Robert Duvall as Tom Hagen and Diane Keaton, who portrays Kay as both helpless and strong. And then, now matter how poor or powerless the supplicant, Don Corleone would take that man's troubles to his heart. The story of The Godfather is the story of both Vito and Michael. However, by film’s end, it is clear that Michael has become his father. After this chronology, I will explain how the film portrays Michael Corleone and his life. He made no empty promises, nor the craven excuse that his hands were tied by more powerful forces in the world than himself. In my thesis, I claim that Michael changes from the beginning of the film to the end. Michael is the son of Vito Corleone, Don of the Corleone Crime Family1. He pulls strings from lowly morticians all the way up to police, judges, and politicians. His reward? Friendship, the respectful title of "Don," and sometimes the more affectionate salutation of "Godfather. However, as Mikey’s involvement with the family business increases his violent tende

Francis Ford Coppola’s edition of The Godfather is the most highly acclaimed American film this side of Citizen Kane by Orson Welles. When Michael ends up surprisingly powerful, yet separated from those (his wife and children) he at one time cared most about, the film’s moral centre is clear. Michael brings thoughts and standards to the family business taken from his life and learning in new America, which plant the seeds of his success and his misery.

Approximate Word count = 1070
Approximate Pages = 4 (250 words per page double spaced)

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