Bernini's David in Comparison to Michelangelo's David
Bernini and Michelangelo were two artists that sculpted versions of David. Several differences spring to mind when comparing Bernini's sculpture of David with Michelangelo's. Those would be the period in which they were sculpted, the size of the statues and especially the moment in time that was chosen. In the next few paragraphs I am prepared to elaborate on these differences.The most obvious difference I believe would be the moment in time that both artists chose to represent in carving their Davids. Bernini's David seems to be right in the middle of the battle. He is in the process of using his sling in order to defeat the horrible Goliath. The muscles in his legs are very tight as he is stepping forward. His arms and chest seem to be tensed as if he is in the process of gathering momentum in order to issue a powerful blow with the rock that is about to be hurled from his sling. Also the activity of slinging the stone seems to be pulling David's robe from his body but Bernini chose to capture this action before he is actually exposing any nudity. This statue was carved during the Baroque Era and is typical of this era because it depicts the subject in motion. This "busy" work of art certainly represents action in ever
Another difference that I feel should be mentioned is the fact that Michelangelo's David is well over the normal height of a normal human being as opposed to the life sized statue of Bernini's David. I would say that the first thing you notice when you see this statue is the fact that he is unclothed. To be honest at first glance I didn't know if this David was representing a time before or after the fight. In conclusion I would like to mention that both of these statues are beautiful and awesome in their own right. His posture seems to emanate more of a stress-free confidence. As you observe further you can see that his hair is tussled and laying haphazardly on his head. And even though Bernini didn't go as far as sculpting David's adversary you still get the feeling that he is situated right in front of him. And let's not forget about how this particular David gives you a concept of specific time which is something else introduced by artists in the Baroque Era. The muscles in his legs seem to be more relaxed from the stance he was carved in. In comparison Michelangelo's David seems very still and confident. Bernini's figure seems to exude physical strength and aggression which is exactly what is needed in order to defeat the terrible and mighty Goliath. He seems to be preparing to defeat his adversary with skill and intellect. This was also a time when artists first started really being concerned with keeping their sculptures anatomically correct and in true form to reality. His right arm is lying calmly at his side with that hand holding the stone. This David exudes a quiet and calm right before the battle with Goliath.
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