The film Beauty and the Beast was directed by Jean Cocteau and produced in 1945. It was based on the original story written by Suzanne Barbot de Gallos de Villeneuve. Jean Cocteau was born in France and has made many other movies including the following: Les Parents Terribles, Orphee, Les Enfants Terribles, and Le Sang D’un Poete. In the Film Beauty and the Beast, Jean Cocteau uses smoke, a glove, a white rose and other items of the Beast to create a magical mood. He also uses oblique camera angles to develop the stature of the characters.
Cocteau uses symbolism to establish a magical and enchanting mood in the film. The smoke symbolizes the progres
Although having to read subtitles was quite annoying, overall the movie was produced well and was better than the Disney version. This was shown when the beast was changing into a man smoke was coming off of him. The smoke also gives the movie a spooky sort of mood. When Beauty asks for a rose she shows her true character of love. He would use shots the were angled up towards the character to make the character look bigger or more important. The white rose is also symbolic of the Beast"tms inner character. It too gave the movie a magical mood. In the film Cocteau also used oblique camera angles develop the stature of the character. Cocteau had another way of developing his characters besides symbolism. Jean Cocteau uses also symbolism as one of the methods to develop his characters. In conclusion Jean Cocteau did an excellent job in developing his characters with symbolism and oblique camera angles. The Beast may appear to be a hideous creature, but on the inside he is a loving and caring person. Now this is not the only use of symbolism in the film.