Antigone and Creon
"Sophocles makes us find some right in Creon, some wrong in Antigone." Discuss the validity of this statement, commenting where possible on the use of language and dramatic/theatrical devices in creating two flawed tragic heroes. In his play, Antigone, Sophocles does in fact show some right in Creon and some wrong in Antigone. This stems from the understanding of Creon as the protagonist in this tragedy, whereas Antigone is seen in a subordinate role. Thus being the case, Creon can be perceived as an honourable man, whose corruption can be traced to his hamartia, or tragic error. On the other hand, Antigone is clearly seen as a virtuous person, but her flaws in the play can only be traced back to her own personality. These arguments are supported by the language and dramatic devices used in this play. Creon can be seen as the protagonist of this play on many different levels. In terms of the structure of the play, Creon speaks almost twice the lines of Antigone and is in almost every scene of the play, whereas Antigone in last seen at line 943 in a 1353 line play. Since Sophocles wrote this play for a viewing audience, Creon assumes a greater importance than Antigone. There is also the fact that the charact
The superlative use of holy and the alliteration implies that what she is doing is sacrilegious, which again, is not true. Antigone's fortunes do not change because of a mistake made in ignorance, but because of her personality, which is more of a character flaw and is not considered hamartia by Aristotle. The personification of "Justice" and the alliteration of "unwritten. This is evident when Ismene reveals her fear to contradict the orders of Creon, which is understandable, given that he is king and that they are women who have no place to disagree with men's orders in their society. In the first scene, she is very affectionate towards her sister Ismene and she begins the play by saying, "O sister! Ismene dear, dear sister Ismene!" and this line reversal emphasises the affection that exists between family. On page 131 he says, "No other touchstone can test the heart of a man, / The temper of his mind and spirit, till he be tried/ In the practice of authority and rule. Of this I am sure -Again, he places the importance of the gods first and uses the authority of God to justify his hatred for the traitor. It is this recognition of the mistakes made, that allows the reader to feel sympathy for Creon and to observe the subdued humanity that exists in him. Antigone's stubborn will, like that of Creon's, is also one of her flaws. " This also provides the reader with a weighty indication that he was previously a very admirable man. [One brother] attacking his country, while the other defended it," which reveals his love for his country and the belief that it overshadows the notion of family love. Up to this point, he cannot be criticised about his morals, virtues or wisdom because they are all appropriate in this situation. When Creon says that the city was brought "safe through a storm of trouble to tranquillity," he too reflects the Theban belief that Polynices was a traitor to the state, and this is emphasised through the use of the metaphor and alliteration. She states that she would honour a brother who is a traitor, but not a sister who is upright and modest. He says on page 130, "My councillors: now that the gods have brought our city/ Safe through a storm of trouble to tranquillity.
Common topics in this essay:
Lastly Creon,
Poetics Aristotle,
Sophocles Creon,
Death Wilt,
Unlike Creon,
Antigone Antigone,
God Justice,
World Else,
Dear Sister,
Antigone Discuss,
tragic hero,
creon seen,
play creon,
creon protagonist,
extreme emotions,
sister ismene,
protagonist play,
antigone seen,
seek advice damned,
character antigone,
provide logical,
storm trouble tranquillity,
creon seen protagonist,
whereas antigone seen,
unwilling seek advice,
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Acceptance Essays
