New Plays

Marina Carr’s play is loosely based around Euripides’ IPHIGENIA.

The played is named Ariel yet the character herself is not seen very often throughout the show.

Carr’s play was an interesting modern adaptation of Greek Tragedy, it brought to the surface many moral imperfections as Greek Tragedy often does but I feel it lacked the same satisfaction that we get from traditional Greek plays as the conclusion was very dark and offered no glimmer of hope for any of the surviving characters. The killings were quite believable at first but by the time the denouement of the play commenced I felt we had seen a little too much blood and the murders became almost farcical. The daughter of Fermoy Fitzgerald a rich ambitious business- man who plans to become a politician, Ariel has just celebrated her sixteenth birthday and mysteriously goes missing. As with all Greek Tragedies blood is shed and it makes no difference how closely related to the person you are, if you find a problem with them then its time for them to go. mergency exits positioned half way up brick walls with metallic effect steps. This character provided a lot of comic relief throughout an otherwise dark play and offered a good contrast to Ingrid Craigie’s role as Fermoy’s grief-stricken, grief-addicted wife.

Memorable performances came from Mark Lambert as Fermoy and Barry Mc Governs wonderful portrayal of a whiskey loving Irish Monk called Boniface. Throughout the play the set altered little but the atmosphere changed often which gave the impression of different locations. Centre stage was composed of a dining room table set up for a birthday party (cake etc) with a chandelier hanging directly above. His ambition we see (as the play skips on ten years) is about to be realised but not without an underlying uneasy feeling surrounding the disappearance of his daughter.