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Edgar Degas

Hilaire-Germain-Edgar De Gas was born on July 19, 1834, at 8 rue Saint-George's in Paris. His father, Auguste, a banker, was French, and his mother, Celestine, an American from New Orleans. The family name "Degas" had been changed to "De Gas" by some family members in Naples and France in order to sound more aristocratic; the preposition indicated a name derived from land holdings. Degas went back to using the original spelling sometime after 1870, and that is how we spell his name today.He was destined for a law career, but instead entered the Ecole des Beaux-Arts, where he studies with Louis Lamothe. There he became a painter and sculptor. Degas was associated with the Impressionists, taking an active part in


In the Metropolitan Museum of Art in New In the Metropolitan Museum of Art. Soon after he began to let him self go. Degas' collection of repeated poses and postures speaks to his preoccupation with texture, color, and form. As Degas' subject matter became more contemporary, so did his artistic style. there firsts exhibitions, but his individual choice of subject matter, handling of composition, and emphasis of drawing distinguished his works from theirs. Early on, Degas presents people as individuals, whereas works from the mid-1870s on categorize women in particular according to their professions. He has numerous paintings of jockeys, dancers, laundresses and prostitutes. Some paintings displayed there include "The glass of Absinthe", "Laundresses", and "Prima Ballerina". The laundresses, milliners, and dancers represent types rather than specific individuals. He copied works by earlier artists and executed his own history paintings, portraits, and scenes of daily life. From the mid-1850s through the mid-1870s Degas explored many types of subject matter. in New York, "Pouting", and "Women with Chrysanthemums" are on display for all to see. In the later years of his life, despite failing eyesight, he continues to paint his women models in varied, unarranged poses. During the last years of his life, he was seen walking through the streets of Paris, ignoring the traffic. He stopped caring for his dress or trimming his beard.

Common topics in this essay:
Louis Lamothe, Naples France, Rue Victor-Masse, De Gas, Women Chrysanthemums, Saint-George's Paris, American Orleans, Louvre Paris, subject matter, metropolitan museum, de gas, metropolitan museum art, Metropolitan Museum, Museum Art, museum art,

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