Comparison Art Essay: Picasso vs. de Kooning
The 20th century embraced many different art movements and introduced the works of many new recognized artists. Two of these artists can be familiarized as Pablo Picasso and Willem do Kooning. Each artist demonstrated a unique style based on the demands of the time period they painted in. Two works executed by Picasso and de Kooning during their individual eras are Picasso's "Jeune Fille a la Mandoline" (1910) and de Kooning's "Woman I" (1950-52). These two pieces can be compared and contrasted through the elements and principles of design as well as through the movement they were created in and the artists who brought them to life. Pablo Ruiz Picasso was born on October 25th, 1881 in Malaga and his exceptional talent was seen at an early age. He worked for several years painting under the tuition of his father and made his first debut as an artist in 1893. By 1897 his talent was so exceptional that he was admitted to painting class at the Royal Academy of San Fernando in Madrid. After winning several awards and first class recognition from the critics, Picasso settled down in Paris by 1904. One of Picasso's greatest recognized moments in history in the beginning of Cubism with "Les Demoiselles d'Avignon". Picasso created ot
Frightened enough by her to depict a hideous face, but attracted enough by her to place emphasis on her breasts and pink cheeks. Willem de Kooning was born April 24th, 1904 in Rotterdam, Holland. The colours that Picasso used in this piece are very dull and are not bright. He is known for his series of paintings such as "Women" and "Parkways". And in this movement, lasting between 1907 and 1914, Picasso gave birth to "Jeune Fille a la Mandoline". He came to America in 1926 and worked as a house painter and several other commercial-art jobs until he began painting full time after 1936. From 1916 to 1925 he studied at the Academie van Beeldende Kunsten en Technische Wetenschappen and later became the apprentice of a famous Dutch art director. In addition, rounder, bolder shapes are used to create the mandolin and give the viewer a complex , but definite idea as to what is being portrayed. This can also be compared to Picasso's piece: each painting places emphasis on the breasts of the woman. It is undisputed that Picasso's greatest achievement was in Cubism which can be described as an early 20th century way of painting and sculpting in which a subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictoral elements largely by the use of intersecting often transparent cubes and cones. Great bulging eyes, teeth grinning violently, huge limbs, mountainous breasts - the woman almost seems physically absurd, but in a way invisible. Because of the many geometrical forms in the painting, it gives the impression of texture. However, in the negative space surrounding the figure, the colour noticeably becomes darker, exaggerating the outline of the woman and her mandolin. She is like a spewed monster of fantasy blended with her surrounding, almost like graffitied work.
Common topics in this essay:
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Unlike Picasso's,
Kooning's Woman,
Abstract Expressionism,
Red Chair,
Technische Wetenschappen,
Ruiz Picasso,
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,
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fille la mandoline,
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woman's breast,
la mandoline,
picasso's jeune,
picasso's jeune fille,
willem de kooning's,
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