Heart of Darkness
While Heart of Darkness is a vivid and powerful account in literature of Imperialism and the Western penetration of colonial Africa, its story is one that may leave its readers unsatisfied with their attempts to intellectualize the experience. The true focus of this novella is not the exotic land being discovered by the reader, but rather the behavior and psychology of the English travel . . .
Marlow makes his journey to meet a man who is the mirror image of himself, unfettered by inhibitions. Marlow creates an image of Kurtz possibly in the image of the man he himself would have like to be. Marlow, under the charm of a snake (the Congo “fascinated me as a snake would a bird – a silly little bird” [page]) is driven to Kurtz in the half-delirium . He thinks that Kurtz can tell him things about himself that he does not know. Both men are seduced by the unknown and undiscovered Africa. The truths about himself and the world are revealed symbolically by the significance of the journey to Kurtz as a journey from civilized inhibition into knowledge of the darkness away from the constraints of the civilized ego. Conrad’s story is an evocatively intimate record of the naïve Marlow’s struggle to know, and yet not know, the unacknowledged Kurtz within himself. er, Marlow, as he copes with the moral dilemma he experience s in Africa. The Congo makes a different man of Marlow, one adept at valuing small distinctions, such as discriminating between lesser evils in judging his fellow creatures.
Common topics in this essay:
Africa Marlow, Imperialism Western, Kurtz Marlow, Kurtz Marlows, Heart Darkness, image kurtz, |