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Vampires

The vampire is an example of the ultimate horror fixation, but it is also the symbol of the need and desire of people to rid themselves of their ‘impure’ sexuality and of all the guilt that is attached. Vampire literature, in particular, often represents the fears of a society. The Victorian Era was a time of intense sexual repression, so it was common for vampire stories to reflect the fear of female sexuality or, even more threatening, homosexuality that possibly could become rampant in society.

Carmilla was seen as the ultimate breaker of the taboo. Emerging from a strict Victorian society, she had the free will of a vampire and was the embodiment of eroticism. The story of Carmilla is the pinnacle of Gothic Vampirism, illustrating a creature in the human form who preys solely on other women. Everything male vampires seem to promise, but not fulfil, Carmilla actually performed. As a possessive creature, she aroused and pervaded which is evident from one of her statements to Laura - “You are mine, you shall be mine, and you and I are one forever.”

The taboo of homoeroticism is broken when Carmilla demonstrated her intimate affections for Laura and thus for the first time exposed homosexuality

. . .

The use of religion in the vampiric genre today, is nearly eradicated. ”

Two years into the 21st Century, it is evident the vampires from “Buffy the Vampire Slayer” are still thriving. Of course, these metal chains are also a symbol of the new “life” he is about to lead. No longer is the story left up to the audience’s imagination. In the novel, it is notable only Dracula produces his form, the female vampires do not infect, but simply feed off children.

The purpose of this film is purely for entertainment, and to introduce a popular, original legend into the 21st Century. This is another cultural influence of AIDS in the early 1990’s. The image of the cross is evident and the notion of rationality is present with the image of the two people levitating off the ground, as well as the wolf morphing into hundreds of bats. The poem is written from the perspective of a female vampire, and thus grossly inverts the maternal image. Nowhere is the sexual woman more violently and self-righteously persecuted than in this novel. Driven by supernatural hunger, and the longing to be set free, it is only the eternal and powerful sexuality of the undead that could make such an existence tolerable. The phrases “Wanting you only for the monster I can make you into”, “Drawing you in, I make you as I”, and “Taking your hand, as I lead you father into eternity…” all suggest this female vampire will send her victim into eternal damnation.

It has been stated, “Some say that at the end of the 20th Century, Vampirism is wearing down and vampires need a long restorative sleep. Nothing about sex is taboo anymore, thus the only purpose for the series Buffy is entertainment and as a money-making scheme.

Common topics in this essay:
Harker Draculas, Era Dracula, Victorian Era, Little Boy, Buffy Angel, Vampire Slayer, Gothic Vampirism, Black Magic, Mena Mena, English Vampires, vampire literature, female vampire, maternal image, vampire stories, 21st century, human form, victorian society, stokers dracula, society carmilla, victorian era,

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Approximate Word count = 1558
Approximate Pages = 6 (250 words per page double spaced)

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