Gladiator vs. Traffic
For a movie to be nominated for “Best Picture,” it must be able to capture an audience’s attention early and not let go for the entire movie. Gladiator and Traffic do just that. Both these films are extremely strong at all the points an Oscar movie must be: plot, acting, music, and script (Soria). Ebert said, “Our laws against illegal drugs function as a price support system for the criminal drug industry. They do not stop drugs. Despite billions of dollars spent and a toll of death, addiction, crime, corruption and lives wasted in prison, it is possible today for anyone who wants drugs to get them. “For someone my age,” says a high school student in Traffic, “it’s a lot easier to get drugs than it is to get alcohol.” Who supports the drug law enforcement industry? A good many honest and sincere people, to be sure. Also politicians who may know drug laws are futile, but don’t have the nerve to appear soft on the issue. And corrupt lawmen, who find drugs a lucrative source of bribes, kickbacks and payoffs. And the drug cartels themselves, since the laws make their business so profitable. (sic) If the decriminalization of drugs was ever seriously considered in this country, the opponents would in . . .
And (sic) we meet the top executive for this operation, a respectable millionaire (Steven Bauer) and his socialite wife (Catherine Zeta-Jones), who has no idea where her money comes from. The movie is inspired by a five-part “Masterpiece Theater” series named “Traffik,” which ran ten years ago and traced the movement of heroin from the poppy fields of Turkey to the streets of Europe. The Coliseum, for example, has been resurrected to it full glory. You (sic) have a very in-depth high speed filming of a war with the Germanic Barbarians or a Gladiatoric (sic) reenactment of the war of Carthage. It watches, it observes, it does not do much editorializing. ” “An epic is a film that doesn’t come along that often and when it does, that’s the film to see. This is true in theory, but in practice his information simply provides an advantage for on cartel over the other. The story in North America is much the same, which is why adapting this material was so depressingly easy. Soderbergh’s film uses a level-headed approach. Traffic is fascinating at one level simply because it shows how things work-how the drugs are marketed, how the laws are sidestepped (Ebert). Soderbergh’s story, from a screenplay by Stephen Gaghan, cuts between these characters so smoothly that even a fairly complex scenario remains clear and charged with tension. And (sic) we see how corruption between Mexican and U. His daughter Caroline (Erika Christensen) is an honor student. Although it seemed many of the critics liked Traffic better, Gladiator was the rightful winner. After trying cocaine at a party one night, she quickly becomes addicted.
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Acceptance Essays
