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The Parable of Individual Attributes

Star Trek, a television series originally created by Gene Roddenbury in the year 1966, has become a unique cultural trend in the late 20th Century. Though Roddenbury has only intended to create another perpetual science fiction series in the beginning, Star Trek turns out to be a popular fictitious model of its kind, which begins a whole new generation of science fiction novels, television series, and movies. For the past 33 years, Star Trek has brought numerous philosophical, social, and moral notions to audiences from different civilizations and age groups. Its main theme has gone beyond the famous Star Trek slogan: "To explore new space; to encounter new life; to boldly go where no man has gone before" (Gross 28) to a deeper physiological and psychological level of moral understanding. Star Trek has evolved from an ordinary television series to the meaning of Logos, Ethos, and Pathos relating to every person in the secular society. In the classic Star Trek series, there had been many social and political controversies over the dressing styles of the Twenty-second Century people, the race chosen for each character in the series, and the overall differences between the aliens and the Twenty-second Century people aboard th


The next series, Star Trek: Deep Space Nine began when Roddenbury shifted his issue from human perfection to human origin. These ideas led the audiences into moral thinking about life, death, and perfection, which is beyond the perspectives most fictions could provide. In addition to The Next Generation and Deep Space Nine, Roddenbury created a new scenario in Star Trek: Voyager to define the concept of true freedom. The second was Doctor Zimmerman, "an Experimental Medical Program. The idea of true perfection was intensified when Roddenbury introduced three unique species into the new series. Roddenbury also presented another cultural concept in Deep Space Nine that honour was far more important than life and leisure, which was another popular humanistic point of view. The Storyline of Voyager not only captured, but also challenged the Logos of freedom. However, these Changelings turned out to be dictators who wished to reclaim control over their descendants. After the first several episodes of the series, the outlooks and the characteristics of the crew had gradually changed to fit the desire of the audiences, but Roddenbury continued to create many different scenarios for the episodes with insightful implications sketched inside them. The characters in Deep Space Nine turned out to join their forces with a spiritual species and fought against the tyranny of the Changelings. The first was Seven-of-Nine, a drone of the Borg collective who returned to her human form after being rescued by the crew of Voyager from the Borg. The first was Commander Data (Schuster 116), an android who lacked human emotions and correlated emotions with perfection. He constituted an overall peaceful universe, which sufficed the dream of most people. [who] essentially [was] a holographic medical officer taking care of the crew's needs" (Gross 351). There were even greater controversies created when these figures were introduced, but Roddenbury successfully linked them to the ideas concerning the end of the century as well as the technologies of the current age.

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