George Orwell: Life of the Writer
George Orwell is perhaps best known to the public for his enormouslysuccessful novel Nineteen Eighty-Four and also for Animal Farm. Also, Orwell’s reputation also rests as much upon his work as a critic of literature, of manners, of politics- in a word, of life. He was always concerned with the effects of class distinctions, with socialism- given the promise inherent in its ideals and the disappointment of its practice. Eric Arthur Blair (later George Orwell) was born in 1903 in the Indian Village Motihari, which lies near the border of Nepal. At that time India was a part of the British Empire, and Blair's father Richard ,held a post as an agent in the Opium Department of the Indian Civil Service. In 1907 when Eric had about eight years ,the family returned to England and lived at Henley, though the father continued to work in India until he retired in 1912. With some difficulty despite awarded scholarships ,Blair's parents sent their son to a private preparatory school in Sussex at the age of eight. During Blair’s time spent at Crossgates, an English prepatory school, he developed his cynicism towards the social system of England. As a scholarship student, he was subjected to ridicule from the schoo . . .
His first novel Burmese Days was almost the epitome of the kind of books Orwell wanted to write initially in his career : “enormous naturalistic novels with unhappy endings, full of detailed descriptions and arresting similes, and also full of purple passages which words were used partly for the sake of their sound. Animal Farm satirized the Bolshevik Revolution in Russia. Week after week he remained in his unheated bedroom, thawing his hands over a candle when they became too numb to write. While on leave in London, he resigned. , Orwell was forced to become a pamphleteer against totalitarianism. Therefore, Blair had a small interest in school. However, this was untrue to a certain extent: Blair apprenticed himself to the masters of English prose who most appealed to him including Swift, Sterne, and Jack London. It is not a horror story of the imagination but a warning against the effects of a totalitarian drift which only he among major writers was willing to measure. Constantly he was reminded of his position as poor. He accurately showed the means by which the Soviets came to power. His sense of guilt never diminished. Every line of his work from 1936 was written, directly or indirectly, against totalitarianism and for democratic socialism.
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