How didst thou sway the theatre! Make us feelThe players' wounds were true, and their swords, steel!Nay, stranger yet, how often did I knowWhen the spectators ran to save the blow?Frozen with grief we could not stir awayUntil the epilogue told us 'twas a play. From the point of view of an actor, pla...

Over the weekend, I attended a one-act play competition to see the high school I graduated from in their presentation of Act IV of Shakespeare\'s \"The Comedy of Errors.\" I didn\'t know what to expect, having never read or seen the play, but I was excited because Shakespeare is always entertainin...

In this essay, I plan to look at two theatre practitioners whose lives were dominated by their desire for change: change to prevailing theatre practice, which they saw as inhibiting experimentation. Above all, they were people who took risks, since by challenging outmoded ideas they were forced to p...

As the 1934 literature laureate of the prestigious Nobel Prize, author and playwright Luigi Pirandello was truly a pioneer in his field. The award was given to him "for his bold and ingenious revival of dramatic and scenic art". He is today known as the greatest Italian playwright of his time. Hi...

Persona is probably Ingmar Bergman's most famous film. Its notoriety goes beyond the sum of its controversial ingredients, however, which are many (the inclusion of footage of an erect penis in the pre-title sequence, graphic verbal descriptions of an orgy, etc.); rather, its enduring legacy ...