In the opening shot of Touch of Evil, Orson Welles can create tension and suspense by effectively using the off frame aspect of the mise-en-scene. By allowing the scene to move outside the focus of action, at particularly untimely moments, Welles places the audience in short but effective moments of...

It's always hard to remake a movie that has achieved classic status, as is the case with the 1950 movie DOA. But Annabel Jankel and Rocky Morton's 1988 remake of the film breathes new life into it. The basic question that must be posed to the directors of any remake is: Why bother' Why not...