The stories in Ovid's Metamorphosis explore many elements of human nature, including love and sexuality. Many of the myths involve a god falling in love with a girl, as Zeus does with Io (pg. 21). They may also involve a girl not wanting anything to do with love in any way, idolizing Diana, G...

Emotions as Art; Arising as a complex entity rooted in the Psychological Panorama of Human Expirence. THAT OBSCURE OBJECT OF DESIRE (1977) 11 March 2004 That Obscure Object of Desire, (197...

The Canterbury Tales, by Geoffrey Chaucer is a collection of stories told by a group of pilgrims on their way to Thomas a' Becket's tomb in Canterbury. Throughout the stories, women are often portrayed in two opposing ways. The women in these tales are either depicted as pristin...

What can we learn from Enide, Eleanor of Aquitaine, and Joan of Arc about the ability of medieval women to exercise power? Be sure to consider several forms of power and to consider at least some of the following: the relationship between husband and wife; the role of love and marriage for men and...

Many factors influence the works of artists. The time they are working in, the culture, and their own lives effect what they depict and how. Gender is no exception. Feminist Historians believe "that gender is an essential element in understanding the creation, content, and evaluation of art." (Ada...

In The Awakening, by Kate Chopin, the upper class Creole society, in the 1890s, has a strict idea of the appropriate lifestyle. Their expectations of women include nothing more than being devoted wives and nurturing mothers. Chopin introduces the reader to the life of Edna Pontellier. Edna has al...

Ran Chen's A Private Life, is a monologue written in autobiographical format that reflects on the coming of womanhood in its female heroine from the time period of the mid 1970s to the mid-1990s. The novel explores the main character's individuality of existence, her desires and sexual ide...

"Does not my fortune sit high upon my brow? Dost not see the little wanton god there all gay and smiling have I not an air about my face and eyes, that distinguish me from the crowd of common lovers?" --Aphra Behn, The Rover She was not the first woman ...

[...] a Devil on't the Woman damns the Poet. -- Aphra Behn, Preface to The Lucky Chance Aphra Behn (1640-1689) was not the first woman writer; neither was she the only woman writer of her day. But Aphra Behn holds the singular distinction of being the ...