at he goes to, the more he begins to notice a trend: all the people that are dying deserve to be dead. Dafoe's character struggles with this for most of the movie, until finally, drunk and confused, he stumbles into a catholic church confessional and speaks with the minister:
"I come here for advice, not salvation."
"Why have you come to a church for counsel if you're not religious?"
"It's ethics. I put evil men behind bars, but t
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