gue, soundtrack, and most important, the art of film. Both films take a study of "relationships and moral dilemma, mistrust and paranoia" (Bowden 1). In Pulp Fiction, a story about hit men, there is "homosexual rape, drug overdose, accidental killings, deliberate killings, a car crash, and a religious conversion" (2). In Reservoir Dogs, a story about a failed jewelry heist, there is a "code of honor" (Hirschberg 1). This is true in Pulp Fiction also.
             The dialogue in these movies makes them unique. Tarantino gives "stereotypical people atypical lines, and what they say deals (often hilariously) with the pragmatic minutiae of their chosen profession" (Groen D2). For instance, you wouldn't define a hit man as someone that talks about pop star Madonna as you see in "Reservoir Dogs", or discussing world issues like we see in "Pulp Fiction". Quentin's idea was to make "Pulp Fiction" and "Reservoir Dogs" have a fresh outlook on gangster movies through dialogue. "Fiction took age
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