ome cultural zeitgeist. Rave however had no such icon and no idol to worship at the feet of. Writers and musicians were a mixture of un-named vocalists and unidentified producers. The majority of songs were written under pseudonyms and relatively unknown to the raving public. This prompted a shift in focus. Since there were no musicians present to idolise the admiration shifted to the DJ. Someone responsible for playing the music rather than creating it was lif
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