o an adult is made more
difficult and important by the cusp of history at which the characters are
perched. Ender's childhood is effaced only because he is needed to fight an
impending war against the buggers. By the end of the book, he has led his
distant army and his commanding staff of children to a total victory, and
yet that victory in turn creates a war on earth that forever changes the
face of global and even galactic politics. Ender sits at a preordained
moment in time after which the world will never be quite the same. In
preparation for the stress of this change, he is sent through a series of
smaller radical deaths of his known world and transformation into a new
world. For example, he is ripped from his family, and then kept
consistently isolated at the naturally alienating battle school. There too
he suffers radical upheaval, as every time he begins to make friends or
find comrades he is ripped away from them and assigned to a new unit or
task. All this is just a precursor to the historical upheaval, though, and
his final exile from earth and from Eros (which literally means "love") as
he is sent forth to wander the galaxy.
Ridley also sits on a historical landmark, as for the first time the
"1 little 1" (which we call gunpowder) is about to be synthesized and
transform his atavistic iron age culture into something entirely new. This
great change for him too is prefigured by a series of more manageable
changes. His old way of life is destroyed when his father dies, for
example, his world view turned upside down when he discovers he is "dog
frendy" , and challenged repeatedly as one after another of those he
These historical junctures mark the stories as more than just one's
typical coming-of-age saga. In a very real way, both Ridley and Ender seem
to be emblematic of something beyond themselves, and their transformations
over the course of the story are the ...