"Shall We Dance" is director Masayuki Suo's largest break into North
            
 American cinema.  Previously, his works include a "pink" (X-rated) movie
            
 called "Daughter in Law", a TV drama, a documentary called  "A Taxing
            
 Woman", and a major picture called  "Manic Zen", followed by a movie
            
 depicting a college Sumo wrestler.  Though released in English,  "Manic
            
 Zen" was only seen in movie festivals and not released in the United
            
 States.  When asked about Japanese director Yasujiro Ozu's influence on
            
 "Shall We Dance", Suo replies, " I didn't think very much about Ozu,
            
 therefore I don't know how I was influenced..." However, he credits Ozu as
            
 a great influence on his  first movie, "Daughter-in-Law" (Kaufman).
            
       Miramax distributed "Shall We Dance" in America, after executives saw
            
 the film at the American Film Market.  "Shall We Dance" was showcased at
            
 Sundance, and won an impressive Japanese Academy Awards (Dickson). The film
            
 was cut by 18 minutes for the American market (Kaufman).
            
       "Shall We Dance" explores the life of Shohei Sugiyama, a Japanese
            
 businessman trapped in a bland and frustrating life.  He spends most of his
            
 days waking up early, going to work, and collapsing in bed at the end of
            
 the day.  He may have a more meaningful relationship with his work than
            
 with either Masako, his wife, or his teenage daughter. After years of this
            
 life, he has finally managed to scrape together enough for a down payment
            
 on a house, which only means that his mortgage payments have him trapped
            
       On the way home from work, Sugiyama spots a beautiful woman in the
            
 window of a dance studio.  He finds himself drawn to the woman, and
            
 eventually returns to the studio and signs up for ballroom dancing lessons
            
 in the hope of getting closer.  The woman in the window turns out to be
            
 Mai, a perfectionistic dance teacher with absolutely no interest in
            
 Sugiyama. Despite her disinterest, he continues his ...