lity, and the legal work of Thurgood
Marshall in the NAACP, black Americans fought for, and won their god given
rights. These rights had been denied them for too long. In addition, white
Americans did not willingly open their hands and invite black Americans to
join them in the cultural marketplace. No, the conflict continued through
the sixties, and in someway is still evident in our culture today.
Chronicling the monumentous changes in our country was Life Magazine.
Like cultural events of every year, Life magazine's camera lens captured
the triumph, pain, and change experiences by the country. Life magazine has
long been the pinnacle of photographic journalism, and its work during the
1960's forever captured the cultural war which erupted in the America's
streets. Their lenses watched as black men lost their lives, and joined
together to pursue what was rightfully theirs - equality. As the magazine
reported on the event, it tried to create a handle which American's could
grab hold of, and use to understand the conflict. Life's photographers
picked pieces of American life, like red apples off the tree in August, and
preserved them for generations to review, and gain an understanding of the
racial hatred which was once a formally legalized aspect of American
From the beginning of the 1963 issues of Life Magazine, it appears
that the magazine didn't know how to address the issue. Like many American,
the issue of black oppression was not a part of their everyday life.
Unless residing in the south, or in a major urban center such as Chicago,
Detroit, St. Louis, or New York, many Americans did not have any access and
involvement with blacks. Separate but equal' statutes had performed their
intended purpose, keeping black America and white America separate. (It
should be noted that the system created two American experiences which were
far from equal.) So when the first ...