for purposes of dance, romance, and nostalgia; the newer audience
             was looking for bold experiments in harmony and fresh approaches to time
             and tempo for purposes of sensory inspiration and aesthetic fulfillment"
             (Gennari 491). We can certainly see how such performers as Gunther were
             reaching for a new and exciting experience while still holding onto the
             Ted Gioia, author of The History of Jazz, describes the Third Stream as
             an "ambitious and controversial offshoot of cool jazz that aimed to break
             ...