unday). The process culminated in the development of the
4-stringed violin family around 1550. While it is difficult to identify
the first to invent the violin, the persons responsible for the perfection
of its form are more clearly distinguishable. Sunday thus identifies the
first person to perfect the form of the violin as Andrea Amati. (Sunday).
In Cremona, Italy during the 16th, 17th and 18th centuries, Amati's
name together with two others; Stradivari and Guarneri, became known for
their skills in violin making (Gusset). Their work was the cumulation of
thousands of artists and musicians before them. Their violin making thus
represented the best of achievement by artists, crafts, scientists and
mathematicians whose skills were used in the field (Gusset).
When the violin came into being during the 16th century, Cremona,
Brescia and Venice in northern Italy were centers particularly of stringed
instrument making. Amati's oldest surviving instruments are said to be
commissioned by Charles IX of France, and are highly decorated by paintings
and gilded scenes (Gusset). Many of the set were destroyed during the
French revolution, but eight have survived this. Amati's sons, Antonio and
Girolamo, also known as the Brothers Amati, carried on his Cremonese
tradition. Having been ravaged by the 1628 famine and the subsequent
plague, Amati's son Nicolo survived his brothers in order to carry on
making violins (Gusset). He continued to make what was considered of the
most beautiful violins ever made, giving him quite the reputation as
excellent craftsman. He left his legacy to the world by training pupils
such as Francesco Rugeri and Andrea Guarneri, who was to be the patriarch
of the Guarneri family, also prominent in violin making. Nicolo also
trained his own son, Girolamo II, and is said to be a likely tutor of the
There are some pertinent differences betwee...