According to comic book author Gerard Jones, the Incredible Hulk undid much
            
 of the psychological damage done to him by overprotective parents and a
            
 repressive culture. By awakening little Gerard to his alter-ego, the Hulk
            
 empowered him, helped him find an avenue for the repressed rage and
            
 powerlessness that most children experience. Violent fantasies, what Jones
            
 calls "creative violence," can be a psychological heal-all, of special
            
 benefit to young children who otherwise feel unable to properly channel or
            
 express uncomfortable or unacceptable emotions like rage. "Killing
            
 Monsters" is a well-written, artfully constructed article that employs
            
 three of the Greek rhetorical techniques. Jones begins by pulling at the
            
 reader's heartstrings with pathos. His choice of diction and focus on
            
 children together form a skillful use of pathos to prove his point that
            
 violence can be healthy. However, Jones does not disappoint readers seeking
            
 a sounder, rational argument. The author segues from pathos into logos
            
 logic with a one-line paragraph on page 451: "That's when I started the
            
 research." In addition to interviews with psychologists, Jones relays
            
 anecdotes and offers concrete examples to back up his claims. The author
            
 also inspires confidence in his readers by entrancing them with ethos: by
            
 including interviews with professionals as well as by asserting his own
            
 expertise as someone who has been swayed by the power of comics and who has
            
 witnessed a series of positive transformations in young people permitted to
            
 engage in "creative violence." Although it lacks purely scientific data,
            
 Gerard Jones' "Killing Monsters" contains pathos, logos, and ethos and is
            
 therefore a rhetorically effective and engaging article.
            
       The  first page of "Killing Monsters" relies heavily on pathos; Jones
            
 lures his readers into supporting his arguments by stimulating emotional
            
 response. The  first sentence of the pie...