Influenced by McRobbie, Pini (1997) contended that "the rave dance
             floor ... is one of the few spaces which belong to the Ravers which can be
             used to only display physical pleasure," and that these pleasures "do not
             clearly 'fit' standard, patriarchal definitions of sexuality, and
             eroticism" (p. 167). For the ravers, the demonstration of pleasure includes
             the form of dance, or drug use. Rather than bringing their subcultural
             desired into the larger society, ravers choose to come together in a shared
             community experience, and express their rejection of the larger social
             culture, and create their own individual culture on the dance floor.
             This observation is consistent with Malbon (1998, 1999) who emphasized
             the temporary, fleeting, and apolitical character of the rave scene was a
             demonstration of the resistance against the larger culture. He noted that
             in the rave scene: "resistance is found through losing yourself [e.g., in
             the music, in the dance, in the social and physical surroundings],
             ...