Miles Davis

Davis drew the rhythm sections of his various sextets and quintets from a
             small pool of players, pianists Garland, Bill Evans (1958-1959), and Wynton
             Kelly, drummers Jones and Jimmy Cobb, and bass player Chambers (Dewey pp).
             In 1963 Davis engaged a new rhythm section as the center of another quintet
             with Herbie Hancock (1963-1968), Ron Carter (1963-1968), and Tony Williams
             (1963-1969), and to "replace Coltrane, who had left in 1960, Davis tried a
             succession of saxophonists, including Sonny Stitt, Jimmy Heath, Hank Mobley
             (1961), George Coleman (1963-1964), and Sam Rivers; ultimately he settled
             on Wayne Shorter (1964-1970)" (Dewey pp). Due to his irascible temperament
             and his need for frequent periods of inactivity, "these sidemen were by no
             means entirely faithful to Davis," however, the groups of 1955-1968 were
             more stable than his later ones of 1969-1975, which included Chick Corea,
             Joe Zawinul, Keith Jarrett, John McLaughlin, Dave Holland, Jack DeJohnette,
             Bill Cobham, Al Foster, and Airto Moreira (Dewey pp). As with his previous
             ...

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Miles Davis. (2009, February 23). In MegaEssays.com. Retrieved 20:36, September 28, 2026, from https://www.megaessays.com/viewpaper/201383.html