rn version of the tragic hero need not hold this high
position in society. This is something Arthur Miller argues for in his
essay titled "Tragedy and the Common Man." In that essay Miller says, "I
believe that the common man is as apt a subject for tragedy in its highest
sense as kings were" (Miller 1948). The major argument made is that
regardless of a person's position in society, they experience the same
mental processes and emotions. Miller (1948) then goes on to say that "the
underlying struggle is that of the individual attempting to gain his
"rightful" position in his society." It does not matter what this rightful
position is. Instead, it only matters what that position means to the
tragic hero. For example, it could be said that the good King trying to
maintain the respect of everyone he governs experiences the same thing as
the good father trying to gain the respect of his family. The levels in
these two examples may be different, but in each case, it is essentially
the same personal struggle. Based on this, it can be said that the level
of a person in society is not a factor that determines whether or not they
are a hero. Instead, it is the qualities of that person that makes them a
hero. Aristotle described this where he noted that the tragic hero must be
someone highly admired for their qualities. The main purpose of being held
in such high esteem, according to Aristotle, is that the audience feels
admiration for the character. At the same time though, the character must
have a tragic flaw that leads to their downfall. This idea of the tra
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