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             Republic, it is clear that the expressions on the faces of these two works
             reflect contentment, pax romana and the power associated with the empire.
             The creation of portraiture sculpture, however, truly began under the
             influence of Augustan Rome's admiration of Hellenic/Greek culture and the
             emperor's apparent determination to base a cultural renewal of Rome upon
             it. But the imperial motivation had the aesthetic consequence that works of
             the highest quality in all the arts was produced bearing the seal of the
             Hellenic spirit. The prime example of this can be found in the Augustus of
             Primaporta (ca. 20 B.C.E.) which reflects the sedate, idealized manner that
             ...