temperature? The lighting? What has gone on just before? What is expected in the moments ahead? Again, those questions must be answered without doubt as to maintain a believable act.
             Another aspect of Stanislavski's work has to do with inner truth, which deals with the internal world of the character, i.e. their thoughts and emotions. The early parts of Stanislavski's research took place while he was also directing the major dramas of Anton Chekhov. Plays like The Seagull and The Cherry Orchard had little to do with external action or what the characters say, more so about the characters feelings and thoughts. However this was very rarely shown through the spoken word. It becomes apparent that Stanislavski's approach would be very beneficial in realizing the inner life of such characters.
             Stanislavski had several ideas about how to achieve a sense of inner truth. One being the magic IF. If is a word which can transform our thoughts so easily. When we think in our mind about things that could happen we think about "what if". The "if" gives us a way of picturing many
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