sm have become necessary in the reading of nineteen century and modernist novels and that the English village is no longer intelligible as a free-standing entity.
             The conflict arises from the characters perception and reaction to their inner voice, the noun 'instinct' and its creation of 'civilisation'. The narrative is janus-faced in that on the one hand the meticulous formal organisations of its framing devices and its circle of listeners seem to offer no way out of the imperial mentality. When I say imperial I mean the socio-political interpretation in Marlow's context, his social background which believed in illuminating the dark 'bearing the sword, and often the, messengers of the might within the land, bearer of a sp
             ...