Elements of the supernatural pervade Toni Morrison's novel, Beloved. These elements include evidence of African-American folklore and tradition in the everyday lives of the inhabitants of 124 Bluestone Road. Beloved's character is another obvious use of the supernatural: she is a ghost for part of the novel and a "ghost-in-the-flesh" for the major part of the book.
             In Beloved, Morrison extracts African folklore from history in order to enrich the authenticity of an account of the lives of ex-slaves during the late 19th century. Her extractions include medicinal, religious, and superstitious components from African life. As doctors were not available to most blacks during this time -- slave or free -- they were forced to depend upon their intuitive nature and upbringing. For instance, the spider web is used as first aid for cuts, while grease is spread liberally over these same cuts as a long-term ointment of sorts.
             For slaves, church was simply another segregated part of life that forced them to develop their own way of practicing their faith. African roots are very visible in Baby Sugg's "sermons" in the Clearing. White men go to church, sit down in wooden pews, and settle in for a lengthy dissertation on their sins. On the other hand, Baby Suggs calls her people into Nature to dance, cry, and finally, to laugh. Her version of a sermon is actually an outpouring of the vast contents of her heart.
             Superstitions are a natural part of any culture's make-up. However, some superstitions are firmly rooted in one specific culture. This is evident in Baby Sugg's statement to Sethe where she says, "Not a house in the country ain't packed to its rafters with some dead negro's grief" (Morrison 5). Similarly, Ella comments to Stamp Paid, "You know as well as I do that person who dies bad don't stay in the ground" (188). Stereotypical thinking says that a fine line exists between the spiritual world and the natural world. Elements from eith...