s own kind of
sense... the changes that occur in the world of experience
are, on the whole. orderly and predictable changes." (Grant,
Pg 510) However, the adults were also once children, and in
childhood, happiness differs from those of the full-grown.
As a child, happiness is based not on law and reason, but on
love, protection, and peace. As an adult, however, one must
follow the rules of law and order. Frye also said this of
the experienced world; "As adults, the law and order is the
basis both of reason and society, without it there is no
"The Songs of Innocence does not seem to be songs only
about innocence, but by innocence." (Ferber, Pg 2) This can
be seen clearly within the "Introduction" section to the
Songs of Innocence. The songs are 'of' innocence in the way
the Piper's songs are 'songs of pleasant glee' and 'happy
chear'. They are of the world of innocence too, because
their internal audience consists of innocents. For
instance, when the child makes demands, the Piper casually
and innocently responds - four demands followed by four
The child, then, innocently, requested to hear the song
again, but this time he 'wept to hear.' With the example
above, one may suspect that the Songs of Innocence is
'really' aimed at sophisticated adults, but the reader may
be 'really' a child anyway; therefore, it is safe to say
that, as simple as it may seem, one should take seriously
the Piper's story that the Book of Innocence owes its
existence to the demands of a child, even if he is an
imaginary one. It is also say to say then, that in order to
fully understand and appreciate all the songs that follow,
one must comprehend the meanings hidden within the
The "Introduction" points the readers towards the
pastoral world and the pastoral idea to follow in the next
couple of songs. The reader can tell this by looking at
Blake's usage of props and themes of the...