While not prominent in the recitative, Handel uses the harpsichord in specific places to mimic the sound of the words. For example, on the words "m'iuccide" and "guai" the harpsichord mimics the voice of the soprano and creates a sound not unlike a point of imitation. In he last part of the recitative, the harpsichord starts to play a larger role. Unlike in the previous stanzas, Handel actually provides an instrumental melody through "con, ragione il core da gelosia." This is important because it prepares us for the colorful texture of the aria, and because we are speaking about the "heart." As Alcestis finishes the recitative by pledging to ignore her own jealousy toward "Admeto amato," we hear the harpsichord mimicking the soprano's voice once again.
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